A multimedia synthesizer that allows users to compose synchronized music, lights and visuals via a smartphone app.A MIDI-over-Bluetooth LE wireless adaptor that enables any MIDI instrument to be played without the need for cables.A gesture-controlled wearable that can wirelessly control smart instruments or a Digital Audio Workstation (DAW).In the past couple of years, Nordic Semiconductor has worked with developers of MIDI-over-Bluetooth LE solutions including, which include: ![]() ![]() From wearables to virtual drumkitsĭevelopers have responded, and wireless, smart music solutions are now commonplace. Despite the longer latency, it is possible to preserve the signal's exact timing characteristics, enabling applications where timing accuracy is more critical than low latency. It allows the exact signal acquisition time to be transmitted with a MIDI message over the Bluetooth LE link. While incapable of replicating the less than a millisecond latency of a wired MIDI connection, MIDI-over-Bluetooth LE compensates by adding a millisecond timestamp to each packet. The advent of MIDI- (Musical Instrument Digital Interface) over-Bluetooth LE provides freedom from the MIDI cable. However, the foundations of a wireless future are in place. This is to overcome the throughput, reliability, latency and quality concerns of their wireless alternatives. Sound engineers at an average rock concert still require over 300 wired inputs to ensure everything runs smoothly. Modern concert production relies on high-bandwidth wireless interfaces to allow guitars, handheld microphones, in-ear monitors and performers to move about freely on stage - but there are limits. These are two examples from a field of endless possibilities. Cloud-connected instruments for e-learning applications (for example a smart guitar and smartphone app analyzing in near real-time the notes a student plays and the errors they make then providing live feedback via a voice-based assistant).Enhanced concert experiences based on multisensory content (like shirts that vibrate in proportion to the intensity of sound).The Internet of Musical ThingsĪn emerging field in the last few years, the Internet of Musical Things (IoMusT) defines networks of computing devices embedded in musical 'things', dedicated to the production and reception of musical content.įor example, smart instruments, musical haptic wearables, networked speaker systems, intelligent mixing consoles and VR headsets all have the potential to reshape the musical landscape for audiences, musicians and audio engineers alike: But as music and the IoT increasingly intertwine, the industry's reliance on cables and wires is set to change. While we embrace computers for their ability to transform music, we regard cables as a necessary evil, an unwelcome by-product of music's digital age. From acoustic to digitalĪs music and musical instruments continue to evolve from acoustic to digital, both computers and cables have become unavoidable accessories of every music event, big or small. Once at the venue, a skilled team of sound and audio engineers, technicians, and crew must make sure the musicians, their instruments and ultimately, the audience, come together in perfect musical harmony. The logistics to execute such a schedule are complex, requiring a production crew numbering in the hundreds and multiple cargo planes and dozens of semi-trailers to transport the equipment from place to place. It comprised 260 shows across six continents and is the highest-grossing concert tour of all time. English singer/songwriter Ed Sheeran's ÷ Tour ran for two and a half years. ![]() The professional music industry is big business, and not just in terms of revenue a world tour can generate for a headline artist. ![]() With low power short-range wireless technology, the Internet of Musical Things will ensure the next decade for music is unlike anything we have previously seen in our lifetimes.
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